
Since our new lady orchestra leader Waltraud "Wally" von Klampwangler was brought in to pull the KNOB* out of a hole, so to speak, after our humiliation at Euroompah! 2011 in Athens, the image of the band has changed quite radically. She has sacked all the men! Bert, Wolfgang, Manfred, Siegfried and the others were literally drummed out of town by a muscular fraulein, and departed muttering unfavourable comparisons with Angela Merkel. It was unseemly to continue under the name of the long-departed Kurt Nachtnebel, so we took a vote on a new, modern handle for our all-girl line up. Irmgard's suggestion "Deutschland's International Ladies Dance Oompah" was rejected as too long. Marlene's "Blow Job" was considered a little on the risqué side. Inge came up with "Heavy Metal" which accurately represented the statuesque proportions of our members, particularly the percussion section. I was a little worried we might be confused with the band from the Kit Kat Club in "Cabaret".

Heidi, who is quite a young thing and influenced by hippity hop and all that, wanted us to cover some rap music: all very well, but a bunch of mostly middle-aged, German and rather buxom matrons are not going to be able to convey the oeuvre of Snoop Diddly Dogg very effectively, even if I did, as suggested by Heidi, change my name to "Mos Daph". Our following is not so much from Compton as Old Compton Street. We racked our Alzheimer-raddled brains. It has to convey our female nature, our international line-up (11 Germans and me) the metallic shininess of our instruments, our contemporary non-bierkeller dynamic and our sturdy corsetry. I'll leave it with you.
The downsizing is opportune in view of the economic climate, and means I have been promoted to First (and only) Triangle. It's an ill wind, and all that. Bert has bequeathed me his instrument, and every time I do a little 'ting' I think of him. Wally has revamped our repertoire - no more Oktoberfest drinking songs, she wants to turn us into a sort of brass section of the Ivy Benson orchestra. Wally is determined that we can successfully combine traditional instruments and modern music within a gender perspective.
Who would have thought the trailblazers in all-women brass ensembles would hail from the land of the geisha? Tokyo Brass Style give coloured tights a whole new lease of life. Hit it, girls.

Heidi, who is quite a young thing and influenced by hippity hop and all that, wanted us to cover some rap music: all very well, but a bunch of mostly middle-aged, German and rather buxom matrons are not going to be able to convey the oeuvre of Snoop Diddly Dogg very effectively, even if I did, as suggested by Heidi, change my name to "Mos Daph". Our following is not so much from Compton as Old Compton Street. We racked our Alzheimer-raddled brains. It has to convey our female nature, our international line-up (11 Germans and me) the metallic shininess of our instruments, our contemporary non-bierkeller dynamic and our sturdy corsetry. I'll leave it with you.
The downsizing is opportune in view of the economic climate, and means I have been promoted to First (and only) Triangle. It's an ill wind, and all that. Bert has bequeathed me his instrument, and every time I do a little 'ting' I think of him. Wally has revamped our repertoire - no more Oktoberfest drinking songs, she wants to turn us into a sort of brass section of the Ivy Benson orchestra. Wally is determined that we can successfully combine traditional instruments and modern music within a gender perspective.
Who would have thought the trailblazers in all-women brass ensembles would hail from the land of the geisha? Tokyo Brass Style give coloured tights a whole new lease of life. Hit it, girls.
*Kurt Nachtnebel Oompah Band
























