In order to warm up for the marathon of partying that is May in Brussels, at the end of last month I dragged Scouse Doris and her swain Rupert Posz-Jordie to see Jools Holland and his Rhythm and Blues Orchestra at the Ancienne Belgique. Jools was accompanied by his 16-piece band, comprising a 12-piece brass section that filled the KNOB-shaped hole in my life: all superb musicians, as well as singers Louise Marshall, who reminded me of Amy Winehouse with talent, and the magnificent and Junoesque Ruby Turner, who turns out every third Wednesday in August for Jools on his televised New Year's Eve Hootenanny, and in the flesh is quite something to behold:
Every number was a foot-stomping boogie-woogie, and the house was rocking. Each musician got a solo spot, and drummer Gilson Lavis' five-minute virtuoso drum solo (during which the rest of the band went out, had a cup of tea and a fag and a quick nap, phoned home, then ambled back in), the likes of which had not been heard since Cozy Powell, whipped the crowd into a frenzy. Jools' tinkling of the ivories was up to his usual standard, and he did his party piece which involved taking a rollicking boogie number, segueing into a long stretch of Bach, and then seamlessly segueing back into the blues again.
All the brass section were superb, but a special mention for Rico Rodriguez, aged nearly 80 and still going strong. He can still blow that 'bone, and led the crowd for the final encore in a rousing chorus of "Enjoy yourself, it's later than you think." We certainly did. It certainly was.
The grand old man of ska
I feel like writing to UNESCO to recommend they give Jools "Intangible Cultural Heritage" status. Or to the Culture Secretary reiterating Prince Charles' recommendation: "Why don't you make Jools an official National Treasure, Hunt?", although that would inevitably elicit the question "Where did you dig him up from?"
If Jools and his band are touring anywhere near you, I highly recommend you go and see them. If you don't come out singing, check your pulse, there's something very wrong.
Now if you'll excuse me, I've got to apply some Superglue to my maracas. I got so carried away during Gilson's drum solo that I cracked them. A new pair are on order from Nicaragua. Meanwhile, a true diva can always perform with one arm tied behind her back:




























